Romeo & Juliet - was this what really happened?
When Juliet Roberts is asked to make sense of an ancient Italian manuscript,
she little suspects that she will find herself propelled into the midst of one
of the greatest love stories of all time. But this is only the beginning. As
more hidden secrets come to light, Juliet discovers that the tragic tale of her
famous namesake might have had a very different outcome...
A favourite classic story with a major new twist.
Excerpt
The friary clock struck the hour of four.
“May it please Heaven to smile upon this happy
union.”
“Amen to that, Father!”
Romeo was pacing around my cell in great agitation.
“But just to be able to call her my wife is
sufficient.”
I shuddered. Had I been too hasty in agreeing to
perform this marriage?
He loves too strongly, and too soon, I thought.
Could he fall out of love just as swiftly and as violently? Heaven forfend…
“Son, even the sweetest things can lose their
appeal if taken to excess.”
I gestured towards the half-filled pots of honey on
the table.
“So do not wear out your love too quickly. It will
last longer, and be stronger, if you love in moderation.”
There came a faint tapping at the door. Romeo
froze.
“Come in!” I called.
The door opened and Giulietta entered.
As she bade me good afternoon, Romeo crossed the
room in two strides, clasped her tightly in his arms and kissed her
passionately – a kiss which she returned with equal fervour. If I had
previously harboured any doubts about the strength of their feelings for each
other, now I saw them together these doubts were utterly dispelled. Each
totally absorbed in the other, it was as though they had already forgotten that
I was even there.
I coughed gently to attract their attention, and
beckoned them towards the improvised altar. As one they knelt down before it,
their faces radiant, their fingers still interlaced.
I opened my breviary:
“Ego conjugo vos in matrimonium, in nomine
Patris, Filii et Spiritus Sancti…”
Their vows exchanged, and one of Giulietta’s own
rings blessed and employed as a wedding ring, the newly-made husband and wife
left my cell and reluctantly went their separate ways until they would meet
again at nightfall. I watched them go, and murmured a silent prayer for their
happiness.
Had I but known what was
to befall them ere that very same day was over, I would have said many, many
more…
About the author
Sue Barnard was born in North Wales but has spent most of her life
in and around Manchester. After graduating from Durham University, where she
studied French and Italian, Sue got married then had a variety of office jobs
before becoming a full-time parent. If she had her way, the phrase
"non-working mother" would be banned from the English language.
Since then she has had a series of part-time jobs, including some
work as a freelance copywriter. In parallel with this she took several courses
in Creative Writing. Her writing achievements include winning the Writing
Magazine New Subscribers Poetry Competition for 2013. She is also very
interested in Family History. Her own background is stranger than fiction;
she'd write a book about it if she thought anybody would believe her.
Sue has a mind which is sufficiently warped as to be capable of
compiling questions for BBC Radio 4's fiendishly difficult Round Britain
Quiz. This once caused one of her sons to describe her as
"professionally weird." The label has stuck.
Sue joined the editorial team Crooked Cat Publishing in 2013. Her
first novel, The Ghostly Father (a new take on the traditional story of
Romeo & Juliet) was officially released on St Valentine's Day 2014. Her second novel, a romantic mystery entitled
Nice Girls Don’t, is due for release in July 2014.
You can find Sue on Facebook, Twitter
(@SusanB2011), or follow her blog here.
Welcome to Allthingsbookie, Sue.
Can you tell
us what prompted you to first start writing? What was the first thing you
wrote?
If you
include the compulsory “Composition” exercise at school, I suppose I’ve been
writing more or less all my life – but it’s only in recent years that I’ve
started taking it more seriously. The
first thing I remember writing was for a primary school competition organized
by Cadbury’s. The whole class had to
take part; we had to learn all about chocolate and then write an essay about
it. For that I won a prize of a tin of
Cadbury’s chocolate. The chocolate is
long gone, but I still have the tin. I
keep my pens in it.
Can you
summarise your latest work in just a few words?
The Ghostly
Father
is a retelling of the traditional Romeo & Juliet story, but with a couple
of major new twists and a completely different ending.
What was the
inspiration for this book?
I've always
loved the story of Romeo & Juliet but hated the way it ended, and have
often wished that there was a version of the story which had a more
satisfactory outcome. What finally
kick-started the process was when I came across one of those lists of “Things
You Must Do Before You Die.” One of
those things was “Write the book you want to read.” The Ghostly Father was the result.
Did you do
any research for the book?
Yes. The story is told from the point of view of
the character of Friar Lawrence, so I had to learn about life in a monastery –
and also, since he was well-versed in herb-lore, I had to study that too.
What does a
typical writing day involve for you?
I wish I had
one! My writing isn’t very structured,
I’m afraid. I’d love to say that I could
sit down and write for hours on end, but sadly that wouldn’t be true. If I get stuck (which happens alarmingly
often) I find it helps to go and do something else for a while; the answers
then come to me at the most unexpected moments.
Listening to music helps. On one
occasion a verse of a poem arrived, fully-formed, whilst I was sitting in a
traffic jam. And I’ve had some of my
best ideas of all when I’ve been mowing the lawn.
How do you
decide on the names for your characters?
Because The
Ghostly Father is based on an existing story, I already had the names of
the principal characters, although in some cases I changed their names to the
Italian versions (for example, Juliet becomes Giulietta, Tybalt becomes
Tebaldo, and Friar Lawrence becomes Fra’ Lorenzo). In the case of some minor characters who
don’t appear in the play, I chose names which had some other connection with
the original text.
Which writers
have influenced your own writing?
Shakespeare
(obviously!). But in my other work
(mostly short stories), I’ve been inspired by John Wyndham, Joanne Harris, and
the Tales of the Unexpected by Roald Dahl. My second novel, Nice Girls Don’t
(published in July 2014), owes much to the help and inspiration of my friend
and mentor Sally Quilford. I’d like to
think there’s a touch of the early works of Jilly Cooper in there too!
What are you
working on next? Do you have a WIP?
I have
several unfinished projects on the go at the moment. It remains to be seen which of them (if any!)
gets finished first.
What has been
the best part of the writing process…and the worst?
The best part
was receiving the email headed “Offer of Contract.”
The
worst? Every writer’s nemesis:
rejection. I was particularly upset when
I received one rejection which was totally at variance with the publisher’s own
guidelines. I would have much preferred
that they’d been honest with me, rather than making up some half-baked excuse.
Do you plot
your novels or allow them to develop as you write?
I start with
a basic idea of what’s going to happen, but it isn’t set in stone. In The Ghostly Father I ended up
swapping two characters’ names round, because it came to me at one point that
names are very significant in the story, and one particular name was far more
appropriate for the outcome. And in Nice
Girls Don’t, one of the characters took me completely by surprise by saying
something which went on to change the entire course of the sub-plot. Which was probably just as well, as I realise
now that my original idea would never have worked.
Have you
taken any creative writing courses and would you recommend them?
A few years
ago I took several online “Start Writing” courses with the Open
University. Sadly these are now
discontinued, but I believe that there is a free version of “Start Writing
Fiction” available on the Futurelearn section of the OU website. I’ve also studied Romance Writing and Short
Story Writing with Sally Quilford, and Flash Fiction with Calum Kerr. All highly recommended.
What book(s)
are you reading at the moment?
My Kindle is
full of books by my fellow-authors from Crooked Cat Publishing. I’m currently reading Shaman’s Drum by
Ailsa Abraham.
If you were
stranded on a desert island and could only take three books with you, what
would they be and why?
The Complete
Works of Shakespeare.
I could spend
many a happy hour just reading the works of the Bard, as well as dreaming up
backstories for the characters, and working on more spin-off stories.
The
single-volume edition of The Bromeliad Trilogy (comprising Truckers,
Diggers and Wings) by Terry Pratchett.
Although this
trilogy was written for children, the stories are packed with humour and
satire, and can be read and enjoyed on any number of levels. They would also remind me of my sons, who
first introduced me to the works of the great Terry Pratchett when they read
these books at primary school.
A really good
anthology of poetry.
I just
couldn’t imagine a life without poetry.
Do you have
any advice for new writers?
Believe in
yourself, and never give up. If I can do
it, anyone can!
